Sonja Burrows On Instructional Design
The following reflection comes from a published interview conducted in 2019 on the nature and trajectory of instructional design. In this piece Dr. Burrows reflects on the pathways that can lead to instructional design as a career, the daily lived experience of being an instructional designer, a particular project that inspires, common misconceptions about instructional design, and what to love most about the work.
How we get here: the multiple pathways leading to instructional design work
I think what can happen to a person like me — someone who loves school and learning a great deal — is that you can end up spending many years of your life as a student, collecting degree after degree until you could possibly wallpaper a small bathroom or closet with credentials! I hold a BA in English from the University of Pennsylvania, an MA in Teaching from the School for International Training, an MA in Spanish Literature from the University of Oregon, and a PhD in Romance Languages (Spanish and Italian) from the University of Oregon. I also have a small collection of certificates I have earned and trainings I have completed over the years, most of them related to language pedagogy which truly lies at the heart of what I do professionally. In all honesty my education and training did not logically lead me to instructional design; rather, I followed my passions and academic pursuits down many avenues, and figured out somewhere along the way that no matter what I was doing, I was involved with instructional design — not only related to language learning but also to an expansive array of fields over the years. I am a big geek when it comes to learning design!
In spite of all of this formal training, I think the most formative learning experiences for me occurred outside of the walls of the various academic institutions where I earned degrees. What changed me the most, and deepened my understanding of humanity and the world, were the years during which I lived and taught overseas. After college, I taught in five countries outside of the US — traveling many places and spaces in between, both alone and in the company of the person who would eventually become my spouse. These years of hands-on cultural immersion, language-learning and language-teaching, self-reflection and cultural awareness-raising, changed me in deeper ways than any degree ever could. I carry this awareness with me every day, in everything I do both as an instructional designer and as a human being. I strive always to see what is beyond the walls of the immediate reality, to understand how vast and different and wonderful and often uncomfortable the world can be outside of the familiar.
On the daily practice of instructional design
Because instructional design work is largely project-based, there is no typical day or week for me, which is fine because I like it when things change and keep me on my toes! The common thread weaving together my work is a culture of partnership which at best includes a sense of collaboration, passion, possibility, patience and curiosity. I love working with people who are excited to both envision and operationalize new learning environments, and to push out of their own comfort zones to innovate and try new things. I often partner with teams of people — faculty, leadership, programs — over the course of many months to design and create digital spaces that help them achieve their learning outcomes. I am particularly inspired when this work encompasses language-learning, cultural immersion, global awareness, and self-reflection; much of the most exciting work I have accomplished has involved meaningful professional partnerships with language pedagogy entities in the higher education context. I have also been fortunate to work on projects which bring together various constituents from different parts of my institution so as to create opportunities for professional collaboration and coherence across programs and faculty. Making cross-institutional connections in this way is a common theme in the work I do.
Most days I don’t notice how many hours I work, because I enjoy what I do and it doesn’t feel like work but rather like creative expression — at its best, learning design is a form of art. I work in a location non-specific capacity, which means that I am not always physically on campus because my partners are often elsewhere — either within our beyond the US — and we collaborate primarily across distance using digital tools for video conferencing, instant messaging, and emailing. This way of working and collaborating can be challenging, but if done with intentionality, care, and consciousness, can truly succeed.
A project that inspires
I have been hugely inspired to have collaborated at various points in the past with Deniz Ortactepe, Associate Professor at the Middlebury Institute for International Studies who works in language teacher education, on a pre-service connection space for language teachers enrolled in her course entitled Language Teaching for Social Justice. Together Deniz and I have created digital spaces using WordPress and Canvas where students in her course can connect, reflect, and complete assignments for her seminar. The project speaks to me on many levels, most notably because I deeply value the important work of language pedagogy to recognize, name and eliminate the systems of oppression and inequality through meaningful language education that aims to raise social justice and equality.
Perceptions and misperceptions of instructional designers
To be honest there are many misconceptions about this work. Most people seem lost when they first hear my job title, and because of that I’ve grown adept at delivering what my dad calls the “airplane speech” in which you describe what you do in 2 minutes or less to a total stranger, someone with no background or context in your field. I think part of what is confusing about instructional design is that people who themselves are immersed in this field are beginning to change our own definition of instructional design. So, the misconceptions exist both within and beyond the professional community. Am I a web designer? Not really, but I can make a great website. A technology expert? No, but I can get almost any tech to do what is needed. Am I who you call when you can’t get your equipment to work properly in your classroom? Nope, but I often get things to work anyway. Do I have all the answers for you about how to best use the LMS? Probably not, but I’m willing to persist until we get the LMS into the best shape possible. The thing about instructional designers is that we actually do all of these things, but we do so much more. We are great at trouble-shooting tech issues with people, at building meaningful web presences, at finding answers to issues with Canvas. But these skills are part of a larger set which encompasses a willingness to give primacy to learning in digital spaces, to find answers about teaching and learning with technology, and to do so from a frame of mind which includes a simple willingness to try new things, to make mistakes, learn from them, and apply those lessons in the next round. Being an instructional designer is about using common sense to think about how people learn and how to cultivate their learning both with and without digital tools.
What to love about this work
I love working with amazing folks from all over the globe. In a given month I might have the good fortune to talk to and work with faculty, staff and leadership from Turkey, India, Germany, Brazil, Japan, Russia and many places in between. I hold deep value for these collaborations and frankly I get such a kick out of connecting across borders in this way while standing in my kitchen or office in this tiny corner of the Earth called Middlebury, Vermont. It’s a thrill to keep my global awareness alive through meaningful collaborations in this way.
This piece appears on Middlebury’s Office of Digital Learning and Inquiry